Tuesday, December 28, 2010

Bronco Bullfrog - Sam Shepard

  
Bronco Bullfrog himself, played by Sam Shepard, a petty criminal idolised by the other boys, turns out to be little more than an inept and contact-less criminal who cannot sell the goods he has stolen - ‘a beefy borstal escapee’, according to Alexander Walker, ‘whose room bulges with loot from hijack jobs that he hasn’t a notion how to convert into ready cash.’
Alexander Walker, National Heroes: British Cinema in the Seventies and Eighties (London, Harrap, 1985), p. 221

Wednesday, August 18, 2010

Robin Askwith, The Confessions of Robin Askwith (London, Ebury Press, 1999)

Friday 1st May 1981
I have been offered a considerable amount of money to do 16 weeks in Jersey, UK with ‘Confessions from a Health Farm’, as a summer season. I have also been offered considerably less to appear in Lindsay Anderson’s new film, ‘Britannia Hospital’, playing the same character I played in ‘If …’.
     I phoned Lindsay up. He was most amused.
     ‘Jersey sounds interesting, Robin, what’s the play?’
     Knowing full well what the bloody play was.
     ‘Er … well, it’s ‘Confessions from a Health Farm’, actually.’
     ‘Who wrote that? I can’t remember.’
     ‘Well I did.’
‘I see … now you do know that some people shop at Harrods and some at Woolworths.’
Robin Askwith, The Confessions of Robin Askwith (London, Ebury Press, 1999), pp. 166-167

Tuesday, August 17, 2010

Alexander Walker on Stardust (Michael Apted, 1974)

[Stardust] acted as a purgative for the Sixties: out came all the hard home-truths in dialogue as briskly paced as it was deeply scathing. There was not a jot of sympathy for any particular devil. For this reason, and against these times, it was a much more important picture than That’ll Be the Day. The earlier film had been about innocence and temptation: this one was about manipulation and exorcism.
Alexander Walker, National Heroes: British Cinema in the Seventies and Eighties (London, Harrap, 1985), p. 76